Archive for the ‘Uncategorized’ Category

Watch Half Light Online

Saturday, November 7th, 2009

Watch Half Light Online

Watch Half Light Online

Download & Watch Half Light at Amazon.com.

Click Here Now to Download & Watch Half Light Online Now!

What a pleasant surprise… script, setting, photography, acting, nothing truly outstanding yet all fit together for me like a deep, slowly moving river…a cerebral, visual, audio and intellectual meditation. Much of the innuendo of the script was obvious, much was not, found myself enjoying the second guessing to the ending. One never knows…ah cannot give anything away, for me it was good, I felt good at the ending, listened to the music while reading the credits, the mellowness like after a long run…endorphin doing their thing. This is a “dare to try it movie”…try it at the right time and be surprised by joy, or at least the warmth of a nice merlot.

A little bit of “The Shining” and a little bit of Demi Moore’s own “Ghost” this movie is absorbing and yes my wife and I jumped off the couch at the same time. A fine woven tale with magnificent scenery and possibly the best acting that Demi Moore has ever done, which is saying a lot. A 99 cent rental worthy of a movie theatre price!

Half Light is not the most original plot, perhaps, but it still contains plenty of thrills, chills and challenges for the viewer as s/he attempts to unravel what, exactly is happening. Very well done.

Watch Two Weeks Notice Movie

Saturday, November 7th, 2009

Watch Two Weeks Notice Movie

Watch Two Weeks Notice Movie

Download & Watch Two Weeks Notice at Amazon.com.

Click Here Now to Download & Watch Two Weeks Notice Online Now!

Good, Light Romantic Comedies are few and far between as are actors capable of pulling them off. The days of Cary Grant, Marilyn Monroe, Katherine Hepburn, Carole Lombard, etc are long gone. Once in a while though, moviemakers come up with a good one and “Two Weeks Notice” is one of them: substantially helped along with the Charisma, Charm and talent of Sandra Bullock and Hugh Grant.
Even though I was a fan of Bullock’s “Murder One,” most want to see her only in these light comedies as in her hit last year with “Miss Congeniality.” And Bullock has the business-savvy and intelligence to hire the best writers and directors as in Marc Lawrence here.
The story of “Two Weeks Notice” is a trifle: filled with witty repartee between Grant and Bullock and involving a love/hate relationship standard in this type of genre film. With so many of last year’s films turning out so deadly serious, this is a relief and a palliative to all that earnestness. Ditto with J-Lo’s “Maid in Manhattan.”

“Two Weeks Notice will provide you with an hour-and-a-half of smart, funny dialogue performed by two of the best practitioners of this difficult art. And whereas many current comedies require that you leave your brain parked outside at the curb, this one requires that you bring it in the theater with you.

This is a throughly enjoyable, light as air movie that you should go to see when you just want to relax, smile a lot and spend some time watching Hugh Grant and Sandra Bullock have fun. No serious message, no real surprise twists and turns; but despite being totally formulaic it was a traet and we and the rest of the audience were often laughing out loud.

Sandra Bullock is Lucy, a dedicated environmental lawyer following in the “do good save the world” footsteps of her parents. Hugh Grant is the rich shallow playboy developer whose project she wants to halt. He shocks her by offering to hire her; they strike a deal to save her beloved Coney Island neighborhood center from the wrecker’s ball in return for her becoming his counsel. Of course, she soon becomes his indispensable aide, eventually becomes disillusioned, and gives her TWO WEEKS NOTICE. Her relacement invokes jealousy in Lucy, the community center is about to be demolished due to George’s brother’s (and partner) efforts to make their project profitable after cost overruns, and Lucy heads back to her former life in her parent’s cramped apartment.

Of course, what the moviegoers have always known is by now dawning on George and Lucy. Namely, they may be as different as day and night but will be miserable without each other. And, so, in the tradition of such feel good films, George overwhelms Lucy with the grand romantic gesture and after some initial confusion and ambilavence she eventually overcomes her doubts and recognizes her true feelings for him.

The pace is right, the jokes mostly work, and the supporting cast is more than adequate. So, go see this when you are in the mood for fun rather than adventure, drama, tension, action or deep meaning. It is about on par from the usual work of Bullock and Grant, but if you are a dedicated fan of either don’t expect it to measure up to their best work; the material just isn’t stong enough.

In the new romantic comedy “Two Weeks Notice,” Sandra Bullock plays Lucy, a very busy attorney with no free time whatsoever. After getting tired of her self-centered boss George (Hugh Grant), she decides to call it quits. As she searches for her own replacement, George thinks he may have feelings for Lucy. The movie is very funny with witty dialogue and slapstick humor. Sandra Bullock is funny, charming, and very fun to watch. She and Hugh have great chemistry. It’s kind of romance-flick, but the frequent humor makes it smooth and successful, and definitely noticeable.

Download X-Men Origins: Wolverine

Friday, November 6th, 2009

Download X-Men Origins: Wolverine

Download X-Men Origins: Wolverine

Download & Watch X-Men Origins: Wolverine at Amazon.com.

Click Here Now to Download & Watch X-Men Origins: Wolverine Online Now!

I want to get this out first, I love the comics. I think none of these movies are anywhere close to represent the X-men as they are in the comics. That said, I think these movies exist in a different world that has nothing to do with the 616, except for the characters names and most their powers. I have no problems with these movies; X-men 1 and 2 were very entertaining action movies. But even those movies should have been called, “Wolverine ‘N Pals”, because they didn’t focus on the X-men, but on Wolverine’s interaction with the other characters. My expectations of this movie were not based on the comics themselves, but on the previous movie storylines. I knew in my heart that Hollywood would somehow find a way to rape the image of one of my favorite characters in the Marvel Universe, Deadpool. So when “Weapool 11″ popped up at the end I wasn’t even surprised they would do something that silly. I read an interview a long time ago that about X-men 1 that the producers had to fight to have Cyclops wear the visor because the director didn’t like it. So, I am not surprised nor bothered by the fact that these Hollywood interpretations don’t have a clue about how these characters should be handled. I did like the previous movies (except 3), and understand that this is merely a diferent interpretation of these characters.

Wolverine Origins or, “Wolverine ‘N Pals 4; how this mess began”, is a very entertaining movie. But it fails to deliver a comprehensible story line. A lot of the story doesn’t make any sense. The movie,( as you might be have been clued to know), is about Wolverines origins, its shows you where he came from and how his powers manifested, leading to spending a long part of his life with his half brother Sabertooth, whom we were introduced to in the 1st X-men. After many adventures and wars, the pair ends up joining a military group of people with superpowers led by Stryker. On one of the missions, Wolverine angered by Sabertooth’s actions leaves the group to pursue a nicer lifestyle. This is when he falls in love with Silverfox and the pair lives happily for a while. Many years later Sabertooth comes back in a killing rampage taking out some old members of Stryker’s group, and Wolverine’s love is killed during this. To get his revenge, Wolverine agrees to have done on him an experimental procedure that with give him metal plated bones.

Not bad right? Love, family, betrayal and revenge. All the stuff to make a great story. This is where it doesn’t add up. For those of you that don’t want “Spoilers” please don’t read, as I might give away some plot details.

-After wolverine finds Silverfox dead, Wolverine a veteran of many wars, doesn’t check to make sure she is in fact dead? Why did he leave her body there in the field? Couldnt’t his enhanced smell detect the fake blood? Was it her manipulation power that convinced him to just move on instead of taking her to a medic.

-If she can manipulate people by touch, how the hell didn’t she manipulate Stryker in letting her sister or any of the other kids go? She spends 7 years of her life with Wolvie and doesn’t manipulate him, and indestructible man, to kill Stryker? Was she having to much fun maybe?

-After Wolverine has adamantium put on his bones and escapes to visit the “Kents”, why on earth would Stryker send Maverick with a rifle to shoot a man that can’t die with metal bones? Was he going to shoot through an eyeball from a helicopter? He missed pretty badly by the way, twice. Superman gonna be angry when he goes home to visit.

-Its revealed that Silverfox wasn’t killed by Sabertooth yet after Sabertooth saves Wolverine from falling off the cooling tower, Wolverine tells him “this doesn’t change anything”. Why? She’s not dead. She fooled you. He saves you from falling and having your butt kicked but Weapon 11, why the hell are you still mad at him?

-Stryker failed to wipe Wolverine’s memories so the solution is to shoot a guy with metal on his skull on his head? How the hell does that work? How did he know it would work?

-Why did the most powerful telepath (Professor X) not control someone inside the 3 mile island release the kids? Why wait 7 years and then help. Why didn’t he do that stop time thing from the previous movies so he can save the kids? Where was Magneto? Doesnt he care about abused mutant kids? (One of the restrained kids looked like Quicksilver, who is Magnetos son in the comics)

-How come those kids couldn’t get away on their own? What was that chain link fence cage they were in made of? Adamantium?

-Why was Gambit hanging out in a casino, when he knew he was being looked for by Stryker? How was it that Stryker can’t find him in a long time and yet Wolverine finds him in a day? Maybe Stryker didn’t want him anymore. Maybe they couldn’t persuade the Blob to talk?

-Why add the scene in the end where Stryker is going to be arrested for his crimes, when we well know that he was a high ranking military official in X-men 2?

Well these are most of the plot points from the movie that just don’t make any sense. It’s ok for an action movie to be extremely silly and self referential in that way. For example in Transformers when they have the teen kid take the cube and the alien so they can hide in the populated city, one of the characters mentions how dumb that idea is. They make no excuses in this movie, and just because it’s “supposed” to be a dumb action movie, there is no justification for the producers of this movie to assume their viewers are idiots, and won’t care about a story plot that doesn’t make any sense. Which, apparently they are correct because this movie made a boatload of cash. I will not act like there is nothing wrong with this movie just because it’s flashy and has lost of explosions.

In my arrogant opinion, it’s a onetime watcher. This is not a boring movie by far, yes, it’s a lot of fun and tons of action and the movie’s cast was really great. But the story is convoluted and nonsensical, it seems to take the audience for granted. So, if you want to enjoy this mess, just ignore the entire story and watch the shiny stuff happening on screen.

Awesome movie, does most of wolverine’s history justice, only part that kinda stunk was…SPOILERS AHEAD!!!!!….what they did with deadpool/ryan reynolds character, he could have been so much more in the movie, but it was a very enjoyable movie, watched it twice allready!!! blue ray is awesome!!!

Over the course of the “X-Men” trilogy there has been one constant story thread that has been touched upon, yet it’s never been fully explored. For those of you that have watched the series, then you most likely know exactly what I’m referring to… the origin of the most popular mutant of all, Logan/Wolverine. Finally, after three highly successful films chronicling the adventures of the X-Men team, 20th Century Fox has chosen to spin-off Wolverine into his own movie and potential franchise by providing his official origin story with “X-Men Origins: Wolverine”.

“X-Men Origins: Wolverine” presents many key events in Wolverine’s (Hugh Jackman) life prior to his fateful arrival at the X-Mansion in the original “X-Men” film. Beginning with his initial discovery as a youth that he possessed the ability to unsheathe claws from beneath his skin, to his complicated friendship and eventual hatred of his former best friend Victor Creed (Liev Schreiber), his time spent working for the government as part of an elite team of mutant trackers, and all of this culminating in a senses-shattering showdown that will leave no one unscathed.

The mystery behind Wolverine’s origin has been a long-standing plotline, not just in the film trilogy, but in the various comic books in which the character has appeared. In 2001, Marvel Comics began a six-issue limited series aptly titled “Origin” that would establish the official backstory for the berserker mutant once and for all. Obviously, so long as interest in the onscreen version of the character remained alive, it would only be a matter of time before his origin, or at least some semblance of it, made it to the big screen as well.

Many times with spin-offs, the story tends to be weaker than those utilized for the main franchise; however, this film appears to be one of those very rare exceptions where the quality actually remains intact. Written by David Benioff (”Troy”) and Skip Woods (”Swordfish”), with some elements loosely based upon the mini-series “Origin”, the story focuses upon some of the various influences, circumstances, and powerful outside forces that shaped Logan into becoming one of the most dangerous mutants on the face of the Earth.

The story spends ample time showcasing the extremely visceral nature of the film’s two primary characters, Wolverine and Sabretooth, and how they deal with their inner beasts in drastically different ways. Along with this complicated relationship, the film delves into the almost constant, yet subtle, manipulation that eventually led to Logan’s decision to participate in the excruciatingly painful Weapon X program, which bonded liquid Adamantium to his bones. It’s during these moments of manipulation, mostly at the hands of William Stryker (Danny Huston), that the film’s story really shines.

Another strong aspect of the film is the sharply written, and often times witty, dialogue. The interactions between the characters felt believable and completely natural within the scenes. Some spin-offs suffer from an over-abundance of clichés or merely recycled lines and moments from the original franchise on which they are based; however, “Wolverine” easily side-steps these issues in every respect. In the hands of less capable writers that didn’t feel some responsibility to keep the quality of the franchise intact, the dialogue, and the rest of the story for that matter, could have potentially gone the way of so many other spin-offs and failed miserably, thus hurting the main franchise in the process. As a fan of the series, I am very pleased by the fact that even though this is the fourth film in the franchise, the creative minds behind the series continually try to surpass what has come before.

For all you action fans out there do not worry. This series hasn’t lost sight of one of its key elements. Throughout the film’s story the action scenes never take a backseat to the drama unfolding within the characters’ lives. The fights are much more violent and at times graphic in comparison to the previous three films of the “X-Men” franchise; not to mention, even more up close and personal due to fewer mutants with projectile-like abilities. The decision to make the fights even more brutal worked very well alongside the animalistic overtones of the story; although it may have resulted in some parents not wishing their children to see the film, despite the fact that they may have seen the other three in the series.

Of course, what would a comic book movie be without the use of visual effects? Well, obviously it would be quite boring, but that almost goes without saying. For the most part, the CGI-intensive sequences were well executed; however, there were some surprising scenes in which the effects looked a bit shoddy. Oddly, enough these scenes involved the use of Wolverine’s claws, which by this point should have been mastered and no longer a cause for concern. I’m not sure what caused the problem, if it was a lack of texture on the CGI claws or what, but something was definitely off about them during a couple of scenes. Please note, that these are not pivotal scenes and that the problem was not all that detrimental to the end result of the movie, it’s just something that I found frustrating and thought honestly shouldn’t have occurred within the film. Otherwise, like I said, the visual effects were very good, and at times numerous sequences were truly awesome to watch and easily overshadowed any of the weaker moments in this area.

Lastly, the acting for the film, just as it was in the original three movies, remains consistently high throughout. Despite having played the role of Wolverine three times already, Hugh Jackman is still able to bring a fresh new approach to the character that is crucial to the continued success of the series. No doubt the ability for Jackman to convey such enthusiasm for the role was assisted by the fact that he was so passionate about finally getting to tell the official origin for this beloved comic book icon. Another neat aspect of the character that was explored a little further in this film than in the previous movies was Wolverine’s famed “Berserker Rage” (comic book fans know what I’m talking about). Although, we don’t necessarily get to see an all-out fully realized rage, we are given a much closer look at what he would be like if he succumbed to his unbridled fury, and it was obvious that Hugh enjoyed this new side to the character being explored.

Supporting Hugh are some extremely talented actors beginning with Liev Schreiber (”The Sum of All Fears”). Liev takes a role that was relatively wordless in the original film, and was tasked with creating a character that was dramatically rich, incredibly feral, and ultimately could become the nemesis to Wolverine we saw in the first movie. Not necessarily an easy job, but Liev pulled it off perfectly. He delivered a multi-layered villain that was a prime example of what Wolverine could have become if given a couple of different choices along the way, and Liev is clearly relishing every evil moment he gets onscreen. Next is actor Danny Huston (”30 Days of Night”) taking over the role of William Stryker from Brian Cox (”X2: X-Men United”). Danny played Stryker with the perfect blend of subtle manipulation and malice. At times he would be fatherly, especially towards Logan (albeit only to further his own agenda), but then he would snap and show his true colors by unveiling an obviously twisted, sadistic, and potentially unstable man who wanted nothing more than unlimited power to quell the surging mutant problem.

Rounding out the supporting cast is actor Ryan Reynolds (”The Proposal”) and singer turned actor Will.i.am (”Madagascar: Escape 2 Africa”). I’ve become a fan of Ryan’s work over the last few years, and I enjoy his unfettered sarcasm that he seems to imbue into almost every single character he portrays, but never in a way that feels unnatural or tired within in the role, mind you. In this film, Ryan isn’t given all that much screen time, but what he does get he definitely makes the most of by making his character of Wade Wilson (comic book fans know him as the Merc with the Mouth, Deadpool) an enjoyable addition to the group of rogues that Stryker has assembled. Sadly, his role was intended as an introduction to the character in hopes of getting an eventual spin-off for him as well, a tactic that most likely worked given the film’s success; however, I for one wish there could have been a little more of the character in this story, not to mention fewer major tweaks to the character’s origin that don’t line-up with the comic books. But, I digress. Last, but not least, is Will.i.am as John Wraith, a mutant teleporter. Will shows that he definitely has potential, displaying some good comedic timing in a few scenes, and a natural charisma that makes for a more interesting character than I believe he would have been if played by another actor.

Directed by Gavin Hood (”Rendition”), “X-Men Origins: Wolverine” is an incredibly fast-paced action film that delivers on all counts. Granted there are some gripes with the movie, but overall it’s a very solid addition to a terrific franchise. This is a must-see for fans of the original trilogy and a perfect jumping on point for newcomers to the series.

“X-Men Origins: Wolverine” is rated PG-13 for violence, language, and brief nudity.

Download Fame

Thursday, November 5th, 2009

Download Fame

Download Fame

Download & Watch Fame at Amazon.com.

Click Here Now to Download & Watch Fame Online Now!

This Alan Parker film came out in 1980, after the director had horrified everyone with visions of Turkish Prison in MIDNIGHT EXPRESS. But here we have a loving valentine to the kids of New York who dream of being performers at the high school for performing and visual arts. It’s a musical, but one where the songs and dancing come out of the kids naturally as they goof off or perform for themselves or each other. You get to see four years of high school, and about 8 kids who reach varying levels of realizations about how hard the world really is when you want to be famous.

Finally FAME gets the DVD treatment! A widescreen transfer, featurettes, and a wonderful video commentary that shows 4 of the leads TODAY talking about their 15 minutes of notoriety as a star of FAME. It’s a fun experience to see how they have aged, and what they remember of the filming. Alan Parker is the real star of the commentary though! He gets to talk over the entire movie, but thankfully he’s witty and informative. My favorite tidbit was the original name of FAME was HOT LUNCH! Okay… that would have been … disaster.

Best reason to own this? The music! You can watch the movie once, but I dare you to ever forget the title song “FAME”. My personal fave is “Out Here On My Own” for sentimental reasons. You’ll want to sign up for dance, voice, and acting lessons after this one.

See where all the hoopla started! Before the television shows, before the musical hit the stage … there was this gritty movie showing foul-mouthed kids trying to make it in The Big Apple. Or at least through high school!

Hello,

I have not had the opportunity to view the DVD version of Fame yet but I plan to order it, so someday soon! However, I thought it was worth my time to interject on a couple of the reviews that have been posted.

First: one lady commented that this movie was not suitable for her child because of the language and nudity, so it deserved 1 star. Please note that this movie was rated R in the theatre, and is listed as Rated R here on Amazon. How much clearer does one need to be. Rated R MEANS not suitable for children. Do not blame the movie for your poor judgement. Do not use this review in deciding to purchase the DVD.

Second: A gentleman commented that this movie did not contain all of the music from the original stage production. Well,unless I am mistaken, that would be because the movie came first. The musical expanded upon the movie, as did the television show. So please know this when using his review.

Just my two cents on the matter. :)

This Alan Parker film came out in 1980, after the director had horrified everyone with visions of Turkish Prison in MIDNIGHT EXPRESS. But here we have a loving valentine to the kids of New York who dream of being performers at the high school for performing and visual arts. It’s a musical, but one where the songs and dancing come out of the kids naturally as they goof off or perform for themselves or each other. You get to see four years of high school, and about 8 kids who reach varying levels of realizations about how hard the world really is when you want to be famous.

Finally FAME gets the DVD treatment! A widescreen transfer, featurettes, and a wonderful video commentary that shows 4 of the leads TODAY talking about their 15 minutes of notoriety as a star of FAME. It’s a fun experience to see how they have aged, and what they remember of the filming. Alan Parker is the real star of the commentary though! He gets to talk over the entire movie, but thankfully he’s witty and informative. My favorite tidbit was the original name of FAME was HOT LUNCH! Okay… that would have been … disaster.

Best reason to own this? The music! You can watch the movie once, but I dare you to ever forget the title song “FAME”. My personal fave is “Out Here On My Own” for sentimental reasons. You’ll want to sign up for dance, voice, and acting lessons after this one.

See where all the hoopla started! Before the television shows, before the musical hit the stage … there was this gritty movie showing foul-mouthed kids trying to make it in The Big Apple. Or at least through high school!

Wild Child Download

Thursday, November 5th, 2009

Wild Child Download

Wild Child Download

Download & Watch Wild Child at Amazon.com.

Click Here Now to Download & Watch Wild Child Online Now!

I saw this movie when I was in Britain last summer. Emma’s character wasn’t as wild as the title may suggest but there were a lot unexpected twists in this movie that made it more than your regular romcom. I highly recommend this movie and I will definitely buy this.

Movie Trick ‘r Treat Review

Wednesday, November 4th, 2009

Movie Trick 'r Treat Review

Movie Trick 'r Treat Review

Download & Watch Trick ‘r Treat at Amazon.com.

Click Here Now to Download & Watch Trick ‘r Treat Online Now!

People all over the webbins have been talking about Trick r Treat for some time now – exploring conspiratorial notions on why the film has sat shelved for so long while rhapsodizing about just how well X-Men 2/Superman Returns scribe Michael Dougherty’s directorial debut works. Having recently seen the film, I can tell you that I know why the film sat for years: It’s one of the more ruthless studio-funded horror films ever made. It’s not very gory or explicit at all – but it has a truly, deeply, bad attitude. If William Gaines penned morality plays this venomous – to hell with the Comics Code. He’d have probably served time. Trick r Treat is overflowing with the kind of anarchic, mean-spirited hilarity that never sits well with the suits.

One of the reasons the film feels so vile is that the people who populate the tale feel so utterly real. It’s really hard to explain without spoiling a lot of what makes it work so well, but – to give you an idea – director Michael Dougherty explained to us that one of the notes he received during the production process was that the children he cast were “too young”. Couldn’t he make the kids older? Couldn’t he cast hotter? That’s not to say that elements of the cast aren’t flat-out “foxy” (witness the sexi-sexi of Lauren Lee Smith and Rochelle Aytes) but there are sequences in the film that work perfectly because they’re not about plasticine twentysomethings. Again – I can’t explain exactly what I mean without doing you a disservice – but when you finally see the film, you’ll understand completely.

Trick r Treat has been described in certain quarters as an anthology film – but that’s not wholly accurate. In truth, the film possesses a non-linear narrative structure – it’s more a Pumpkin Pulp Fiction than a Creepshow copy (though the EC Comics connection this film shares with Romero’s classic make them kindred spirits – and a great double bill). The film moves back and forth between tales that, at first, seem to be related only by the presence of the mysterious, malevolent little creature seen in the film’s promotional materials. Over the running time, we come to realize that the tiny creeper pops up for a reason – and even that detail is something I don’t want to spoil for you.

Despite the aforementioned EC Comics vibe (wherein the table-turning reveal that hands the petty thief or adulterous couple their just desserts is par for the course), the twisted twistiness of Trick r Treat still manages to surprise. At different points during the running time, the audience could be heard to speculate on how they felt some swerve might play out – very early on, I had an idea of how I thought the tale featuring Dylan Baker should end – but I was convinced that there was no way my resolution would fly. That Dougherty was able to do exactly what common sense told me would be excised by an executive before it was ever filmed completely negated my anticipation of the last shot. The sequence ended the only way an understanding of the horror genre dictates it should – but instead of feeling “been there, done that” – the payoff plays like the reward for sitting through all of the committee-created genre projects that lack the spine to do it right. Another reveal – easily the film’s most glorious – made me feel like a complete idiot. Thinking about it now, I still don’t understand why I didn’t call it with a chuckle the very moment True Blood’s Anna Paquin awkwardly stepped out of her fitting room to face the derision of her friends. At least I wasn’t alone – by the end of her character’s arc, the audience I was part of sat in stunned silence…then burst into reverent applause – a response based on elements converging in a perfect storm: a beautifully-shot and edited sequence featuring a fantastic revelation, a flawless mix of practical and computer generated imagery, an awesome character beat – and one super-cool line of dialogue. You could sell the film with that single scene…if it didn’t give so much away.

The most brilliant thing about Dougherty’s film is how it uses Halloween holiday iconography to craft iconic visuals (if the film received the 3,000 screen release it so richly deserved, really cool parents would be dressing their kids up as “Sam” for years). It’s Jack O’ Lanterns and autumnal golds and vacuformed masks and flame retardant costumes that tie in the back and urban legends and classic monsters and tainted candy and everything else you know and love about October 31st. As so many before me (including Dougherty himself) have said, this is not a film that takes place during Halloween – this is a film about Halloween. It’s about the reason for the season. Dougherty says his hope was that his film could become a Halloween holiday perennial – the one you watch every year. And trust me – it is. I’ll watch Trick r Treat every CHRISTMAS – because the film is a gift.

Jason Pollock

I had a chance to see Trick ‘r Treat at the Midwest Premiere in Chicago on the big screen and I am mystified as to why this excellent film was never given a full theatrical release? It far exceeded my expectations and I believe it to have already become a classic film for horror aficionados and lovers of the greatest holiday ever, Halloween.

The film is set up as a sort of anthology of short stories, yet they all intertwine and complement each other in the end. There is some great artwork in the tradition of Creepshow and at times reminded me of that film, but the main difference is Creepshow’s stories are all their own and Trick ‘r Treat follows one night with several groups and characters that each have their own encounter with a very evil character indeed. The film has lots of suspense, violence, gore, and some sexy nudity in one story involving werewolves. We also have a serial killer principal, some rotten teens trying to scare a nerdy girl, and a story told that is destined to be some type of urban legend in the future involving mentally disabled kids and a disastrous fate. The greatest thing about Trick ‘r Treat is its style and campy flavor that truly stuck to the evil side of the tracks. The film was so much fun to watch and destined to be a genre classic.

It’s too bad that an original idea comes to Hollywood and and they respond by not giving it a release in theaters and snubbing it. I was very lucky to see it in a theater at all. It really is a shame Hollywood is only pumping out atrocious sequels, remakes, and reinterpretations left and right. I guess seeing indie flicks is the only satisfaction I will be getting anytime soon, for the major studios are filling the theaters with boring horror crapfests!

I caught Trick `r Treat at the Midwest premiere and was simply blown away. Like most horror fans out there, I have been following this movie since it was first announced and was anxious to see if it could live up to my expectations. And boy did it ever.

Trick `r Treat is a phenomenal movie that captures the spirit of the great `80s horror flicks. It gives us one night of interwoven stories that scare you, make you laugh, make you cry and make you cheer. All the right people get their comeuppance and the viewer is presented with a chewy moral center. The greatest offering Trick ‘r Treat has is its heart and honesty. Director Michael Dougherty’s passion for the genre bleeds out of the screen and into your heart. This doesn’t feel like a photocopied version of what was once great, but instead an original masterpiece that ought to be studied and revered.

I walked out of this movie rejuvenated and filled with wonder. It reminded me of the first time I saw Return of the Living Dead, April Fool’s Day, Dolls and so many other classics of the `80s. You see, this isn’t gore porn, this isn’t a remake, this wasn’t originally in a foreign language and this doesn’t star the WB actor of the month: THIS IS HORROR! This is a movie that speaks to fans, not one that speaks to our wallets. It speaks to you, not at you.

Now, I don’t want to go into a commentary on Hollywood and the way they choose which movies we see, because ultimately, it isn’t entirely their fault. We are the ones who spend the money that justifies what they make. If we keep putting money into seeing PG-13 remakes of our favorite horror films from the `80s (and in some cases `90s), it is our fault that they continue making them and watering down the horror gene pool. With the internet, fans have more power than ever to make their voices heard. If we don’t fight for the types of movies we want to see, who will? Don’t be bullied by Hollywood; fight back. I had never felt the need to really post reviews or opinions before; instead I would commiserate with friends about the inferior products I was being offered. Well, no longer will I passively sit by and watch the genre I love be destroyed. It is up to all of us to make a difference. I can only hope that Trick `r Treat is but the first shot fired in a horror movie revolution.

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Tuesday, October 27th, 2009

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The magic, fun and adventure return! Welcome back to the magical rain forest of FernGully. Batty Koda, Crysta, Pips and the Beetle Boys return in a new animated full-length musical, full of all the fun and adventure that made “FernGully: The Last Rainforest” so special. All is well in FernGully until the day a group of humans comes in and captures three baby animals under Crysta’s care. Now the babies’ only hope is for Pips, Batty and the Beetle Boys to venture into the great unknown, the town where the humans live. With the help of a young girl named Budgie and her grandpa, the small yet heroic rescuers embark on the ultimate adventure to save their friends before they are smuggled away forever.

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Sunday, October 25th, 2009

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Sunday, October 25th, 2009

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